A Boy Called Dad0

If the Tories get hold of this film, they could very well use it to back their campaign for ‘change’, but as for the rest of us though, it’s difficult to find a recent release, which is so touching and beautiful.

When Robbie becomes a father at the tender age of 14, his life takes a drastic turn for the worst and he decides to take action in vengeance of the fact that his own father has neglected him all of his life. Unfortunately though, his chosen method slingshots him into adulthood far too quickly – producing some very Daily Mail news worthy results. While the premise might sound a touch generic, the result is a complete delight, taking the typically conventional themes of the dysfunctional family and contorting it to something much closer in truth to today’s unpredictably spontaneous society.

The camera-work should also be commended as never has a shaky camera style been more realised and necessary than in A Boy Called Dad, without resorting to nausea inducing levels, a la Paul Greengrass.

In addition, the performances of all the cast are genuinely heartwarming, with a brutal honesty that is sparsely found among many new releases and had it not been for the cinematic flashbacks, it would be very easy to forget that you’re actually watching a film to begin with. Ian Hart excels as the very definition of a lousy unemployed dad; it’s as though he’s been one all of his acting life, but the real star of the show is surely Kyle Ward who plays the titular role of Robbie. Having never acted before Ward surpasses all expectations, in an emotionally demanding role, which you simply wouldn’t think a 14 year old could physically, or mentally, manage to carry off. Bravo.

Cons: Some story arcs feel rushed, especially in how we are introduced to the main characters.

In Summary: Overall, if something is needed to educate yet intrigue, then this is the film for you.

Words by Matt Brigden